Programme

Programme

Holocaust in Education – Exclusion of Anne Frank’s Diary from the curriculum for the Slovene language (2019)

On the occasion of the International Holocaust Remembrance Day, we kindly invite you to a virtual event on Wednesday, 27th of January 2021, at 11:00. The event will be dedicated to the presentation of a special issue of the magazine Edinost in dialog, which is dedicated to Judeo-Christian dialogue (more information). The magazine will be

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Marko Vogrič: Grandfather Franc, Gorizia – Dachau. A Photo Letter from the Camp

The Gorizia-born photographer Marko Vogrič is tied to the former Nazi camp Dachau through a very personal family story. It was in this camp, where his grandfather Franc died just shortly after the liberation of the camp. The photographer thus knows his grandfather only from the memories of those by whom Franc was survived. The

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Forward to the Past 2

The Synagogue Maribor is joining the second part of the Forward to the Past project. Slovenian museums and galleries moved their operations online during the COVID-19 epidemic and continued to successfully fulfill their mission, promote cultural heritage and maintain contact with their visitors and service users. Our job is to preserve the past by taking

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At the border

You are invited to an exhibition about the history of the Slovenian northern border. The exhibition presents the events and persons who marked the happenings on the border and takes a look at lesser-known stories. The exhibition consists of 5 billboards, which are written in Slovenian on one side and in German on the other.

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Marpurgi: Between History and Literary Freedom

Marpurgi: Between History and Literary Freedom This year, the Beletrina publishing house published the fourth reprint of the novel Marpurgi by the writer Zlata Vokač Medic. Based on the novel, the opera Marpurgi (composer Nina Šenk and librettist and director Igor Pison) was created in Slovenian National Theatre Maribor. The exhibition Marpurgi: Between History and Literary Freedom, written by Boris Hajdinjak from

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